A whole year.
Damn.
From the start -- at least from the start of the big 2020 rewrite of S1 -- I kind of always knew jackofalltrades was going to get a second season. I knew the story wouldn’t really be complete without it, and that I wouldn’t be finished with it as a writer. There was always going to be more to the story.
I had and still have my issues with it, many of them too numerous and extensive to put here in a way that’s fun for you to read or for me to write, but at its core it’s actually a thing I’ve made I can confidently call A Piece Of Art. It’s the first thing I made that I could do that for, I think.
It's my first take on webseries as a medium, and it felt good making something episodic. 25 per season is still too damn many episodes, but, hey -- 50 whole videos I wrote, directed and edited pretty much by myself isn't a bad thing to put in a portfolio.
When it comes to the editing, I know I still have a lot to learn before I reach my own standards of what "good editing" actually is, but the second season still has major steps up when you compare it to season one. A lot of the fuck-ups from the first season I learned how to counter here, especially regarding motion tracking or seamless transitions -- getting a better computer also helped. Who knew?
Some of my favourite stuff to do was the little edits. Even if there are a lot of mistakes, I'll have much more fun pointing out the things that weren't. For example: hey, did you know that another little piece of paper was added digitally onto the ground in "29. George" to make it so there were eight pages?
Eh? Eh?
Anyway.
In terms of the writing, I was really proud of a lot of the stuff I was able to do thematically and will definitely be coming back to that in other unfiction stuff. The Survivors are definitely the way I'd do a season three if I was ever gonna do it; they were all very thought out with the help of the kind folks that agreed to play them. Especially Olivia, played by my friend Evie, and Jan, played by my friend Karol. Working with other people to pepper stuff in to make things that much more real and give satisfying arcs to each of these characters is exactly the kind of thing I love whenever I direct, and I'd love to work with them again in other stuff I do even if it isn't jackofalltrades -- after all, one story is good, 'til another is told, and it seems like all my friends are really damn good at telling stories.
My buddy Milo, who played Daniel, was also phenomenal to work with and absolutely carried the season in his own way. Down for whatever, fucking great actor, incredibly funny guy (with a bunch of friends that were also cool with me dicking about on their property with a camera for a couple hours). Milo's contributions really made Daniel a real person and an understandable antagonist, and brought such an air of tragedy to the Jack-and-Daniel relationship; one of my favourite scenes of the season, the bit in "33. All Work and No Play" where the two talk about films they like together, was almost entirely his idea, and he blew it out of the fucking water when it came to filming it. Love that guy.
The themes of connection, reaching out, and healing -- or not healing at all, in some cases -- were integral, and as annoying as it was to schedule, the fact I got so many people involved made this season what it was. It wouldn't be complete without them.
It's important to me in the way the Slenderverse is and, in a way, is a love letter to exactly that. All those references are in there for a reason, and while the monsters might be pretty derivative, I like to think there's a neat little corner of the 'verse somewhere for the humans of jackofalltrades to live. Found footage and the Slenderverse are made what they are by people -- anyone can and should be able to make art, and there are thousands of video series out there to prove it. Just grab a camera, press record, and make a world with your friends. You don't even need to write stuff.
Seriously. Try it. It's really fun.
I've been doing it on and off for eight years now and haven't gotten bored of it yet.
Despite all its pitfalls I’m genuinely really proud of jackofalltrades as a project. It feels really good to have something I can look at and say, yeah, that was me.
It wasn’t exactly original, it certainly wasn’t industry-standard, but it was mine.
It was a thing me and a couple friends put together and had fun making, and that’s what it’s about to me in terms of making art.
jackofalltrades is a show about people hurting each other, sure, but I had the time of my life making it, and I hope my buddies had fun too.
I sure did.
Tom, Ben, Ethan, Milo, Evie, Karol, everybody else over in the Discord and everyone everywhere who had any hand in it… thanks for makin’ stuff with me, friends. Thanks for helping me heal.
Here’s to making a bunch more stuff.
Somehow it got easy to laugh out loud.